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Les articles présentés ici furent tous écrits dans les années qui suivirent la révolution. La Laure de la Trinité Saint Serge, le coeur spirituel de la Russie où Florensky avait étudié, enseigné et vécu, était alors menacée de fermeture et les moines d'expulsion. Une commission pour la sauvegarde de La Laure fut créée ; Florensky s'y engagea de tout son être et y prononca les exposés réunis ici. Il y présente la Liturgie comme une synthèse des arts, La Laure comme un fait unique de la culture russe! La fermer serait en mutiler la beauté. Dans la Perspective Inversée et l'Iconostase, Florensky donne une analyse éminemment multidisciplinaires de l'art de l'icône (russe en particulier) et de sa place dans la synthèse liturgique. On retrouvera ici la conviction et la ferveur de Florensky, le poète, le polémiste, l'esthète, le mathématicien, tant d'aspects attachants de cette immense figure du Siècle d'Argent de la culture russe.
Icons --- Icons, Russian --- Christian art and symbolism --- Art --- Christianity and art --- Philosophy --- Orthodox Eastern Church --- iconen --- 7.03 --- CDL --- Art - Philosophy --- Christianity and art - Orthodox Eastern Church
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Christian art and symbolism --- Christianity and art --- Orthodox Eastern Church --- 75.033.2 --- Schilderkunst van Byzantium; Oud-Armenië; Oud-Rusland. Ikonen --- Exhibitions --- 75.033.2 Schilderkunst van Byzantium; Oud-Armenië; Oud-Rusland. Ikonen --- Art and Christianity --- Art --- Christian art and symbolism - Exhibitions --- Christianity and art - Orthodox Eastern Church - Exhibitions --- Sinaï --- Byzance --- Russie --- Orthodoxes --- Art et symbolismes chrétiens --- Christianisme et arts --- Eglise orthodoxe
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"The place of religion in the Enlightenment has been keenly debated for many years. Research has tended, however, to examine the interplay of religion and knowledge in Western countries, often ignoring the East. In "Enlightenment and religion in the Orthodox world" leading historians address this imbalance by exploring the intellectual and cultural challenges and changes that took place in Orthodox communities during the eighteenth century. The two main centres of Orthodoxy, the Greek-speaking world and the Russian Empire, are the focus of early chapters, with specialists analysing the integration of modern cosmology into Greek education, and the Greek alternative "enlightenment", the spiritual "Philokalia". Russian experts also explore the battle between the spiritual and the rational in the works of Voulgaris and Levshin. Smaller communities of Eastern Europe were faced with their own particular difficulties, analysed by contributors in the second part of the book. Governed by modernising princes who embraced Enlightenment ideals, Romanian society was fearful of the threat to its traditional beliefs, whilst Bulgarians were grappling in different ways with a new secular ideology. The particular case of the politically-divided Serbian world highlights how Dositej Obradovic's complex humanist views have been used for varying ideological purposes ever since. The final chapter examines the encroachment of the secular on the traditional in art, and the author reveals how Western styles and models of representation were infiltrating Orthodox art and artefacts. Through these innovative case studies this book deepens our understanding of how Christian and secular systems of knowledge interact in the Enlightenment and provides a rich insight into the challenges faced by leaders and communities in eighteenth-century Orthodox Europe. -- Quatrième de couverture
History of civilization --- Christian church history --- anno 1700-1799 --- Russian Federation --- Enlightenment --- Religion and civilization --- Siècle des lumières --- Religion et civilisation --- History --- Histoire --- Orthodox Eastern Church --- Russia --- Greece --- Europe, Eastern --- Russie --- Grèce --- Europe de l'Est --- Church history --- Intellectual life --- Histoire religieuse --- Vie intellectuelle --- Orthodox Eastern literature --- Christianity and art --- Religion --- Siècle des lumières --- Grèce --- Enlightenment - Russia --- Christianity and art - Orthodox Eastern Church --- Enlightenment - Greece
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This volume examines the occurrence of secular contemporary artefacts (realia) in Middle and Late Byzantine religious painting. It explores the potential of Byzantine art as a source of information on material culture and inquires into the semiotic function of realia in religious pictorial contexts. The first part of the book comprises five case studies dedicated to imperial, official, aristocratic, and military dress, furniture, furnishings, and implements. The creative processes that led to the introduction of realia into religious iconography are discussed in the commentary. The book conveys a wealth of information especially on Byzantine dress and provides valuable new insights into the workings of Byzantine art. It is an original and thorough investigation of a fascinating, yet surprisingly little-studied subject.
Material culture --- Material culture in art. --- Art, Byzantine. --- Christianity and art --- Semiotics --- Orthodox Eastern Church. --- Art, Byzantine --- Material culture in art --- Semeiotics --- Semiology (Linguistics) --- Semantics --- Signs and symbols --- Structuralism (Literary analysis) --- Culture --- Folklore --- Technology --- Orthodox Eastern Church and art --- Byzantine art --- Art, Medieval --- Christian art and symbolism --- Orthodox Eastern Church --- Material culture - Byzantine Empire. --- Christianity and art - Orthodox Eastern Church. --- Semiotics - Byzantine Empire. --- Byzantine Empire
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A new generation of American medieval art historians explores how sacred images were perceived during the Middle Ages in Byzantium and Europe. Focusing on the relationship between a particular type of medieval art - the sacred image - and its audience, the contributors consider the part played in this relationship by the image's context, whether on the page of a book or on the wall of a building. The book allows the reader to see the fluidity of the sacred image, showing how factors including audience, purpose, and setting affected the form it took. The essays cover a full range of images, including panel paintings, altarpieces, manuscripts, and wall paintings, and a rich variety of socioreligious settings, private, monastic, and imperial. Also examined are the differences between images produced for a single viewer and those produced for communities; images produced for private contemplation or devotion and those that functioned within a liturgical setting; and the varying ways in which sacred images affected women and men, religious and secular communities, rulers and the ruled
Christian art and symbolism --- Christianity and art --- Icons --- Icons, Byzantine. --- Catholic Church --- History. --- Orthodox Eastern Church --- Cult --- History of doctrines --- History --- Icons [Byzantine ] --- Middle Ages, 600-1500 --- Medieval, 500-1500 --- Orthodox Eastern Church and art --- Catholic Church and art --- Icons, Byzantine --- Middle Ages, 500-1500 --- Icons - History --- Icons - Cult - History of doctrines - Middle Ages, 600-1500 --- Christian art and symbolism - Medieval, 500-1500 --- Christianity and art - Orthodox Eastern Church - History --- Christianity and art - Catholic Church - History
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Beeldenstorm en beeldenstrijd --- Beeldenstrijd -- Geschiedenis --- Beeldenstrijd en beeldenstorm --- Iconoclasm --- Iconoclasm -- History --- Iconoclasme --- Iconoclasme -- Histoire --- Iconoclasme et iconoclastie --- Iconoclastie et iconoclasme --- Images [Querelle des ] --- Querelle des Images --- Icons --- Christianity and art --- Icônes --- Christianisme et art --- Sources. --- Cult --- History --- Orthodox Eastern Church --- Sources --- Culte --- Histoire --- Eglise orthodoxe --- 246.3 --- -Icons --- -Christianity and art --- -Art and Christianity --- Art --- Eikons --- Ikons --- Christian art and symbolism --- Christian saints in art --- Idols and images --- Beelden in kerken. Beeldenverering. Iconoclasme --- -History --- -Sources --- -Dictionaries --- -German --- Worship --- -Beelden in kerken. Beeldenverering. Iconoclasme --- 246.3 Beelden in kerken. Beeldenverering. Iconoclasme --- -246.3 Beelden in kerken. Beeldenverering. Iconoclasme --- Art and Christianity --- Icônes --- Orthodox Eastern Church&delete& --- History&delete& --- Cult&delete& --- History of doctrines --- Iconoclasm - Sources --- Icons - Cult - History - Sources --- Christianity and art - Orthodox Eastern Church - History - Sources
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Mural painting and decoration, Medieval --- Christian art and symbolism --- Christianity and art --- Mural painting and decoration, Arab --- Mural painting and decoration --- Orthodox Eastern Church. --- 75.033.2 --- -Mural painting and decoration --- -Mural painting and decoration, Arab --- -Mural painting and decoration, Medieval --- -Christian art and symbolism --- -Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Art --- Symbolism --- Christian antiquities --- Church decoration and ornament --- Arab mural painting and decoration --- Ceilings, Painted --- Fresco painting --- Murals --- Painted ceilings --- Painting, Decorative --- Wall decoration --- Wall-painting --- Decoration and ornament --- Interior decoration --- Painting --- Art and Christianity --- Schilderkunst van Byzantium; Oud-Armenië; Oud-Rusland. Ikonen --- Orthodox Eastern Church --- Mar Musa al-Habashi (Syria) --- -Schilderkunst van Byzantium; Oud-Armenië; Oud-Rusland. Ikonen --- 75.033.2 Schilderkunst van Byzantium; Oud-Armenië; Oud-Rusland. Ikonen --- -75.033.2 Schilderkunst van Byzantium; Oud-Armenië; Oud-Rusland. Ikonen --- Art, Christian --- Orthodox Eastern Church and art --- Religious art --- Symbolism in art --- Frescoes --- Frescos --- Mural painting and decoration, Medieval - Syria - Nabk Region. --- Christian art and symbolism - Syria - Nabk Region - Medieval, 500-1500. --- Christianity and art - Orthodox Eastern Church. --- Mural painting and decoration, Arab - Syria - Nabk Region. --- Mural painting and decoration - Syria - Nabk Region.
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Icons in Time, Persons in Eternity presents a critical, interdisciplinary examination of contemporary theological and philosophical studies of the Christian image and redefines this within the Orthodox tradition by exploring the ontological and aesthetic implications of Byzantine Orthodox ascetic and mystical theology. It finds Modernist interest in the aesthetic peculiarity of icons significant, and essential for re-evaluating their relationship to non-representational art. The reader will find in these pages reasons to reconcile Modernism with the Christian image and Orthodox tradition with
Icons. --- Aesthetics --- Christianity and art --- Christian art and symbolism. --- Theophanies. --- Image (Theology) --- Icônes --- Esthétique --- Christianisme et art --- Art et symbolisme chrétiens --- Théophanies --- Image (Théologie) --- Religious aspects --- Christianity. --- Orthodox Eastern Church. --- Aspect religieux --- Christianisme --- Église orthodoxe --- Orthodox Eastern Church --- Doctrines. --- Theophanies --- 246.3 --- -Christianity and art --- -Christian art and symbolism. --- Revelation --- Beelden in kerken. Beeldenverering. Iconoclasme --- -Eastern Orthodox Church --- Pravoslavnai︠a︡ vostochnai︠a︡ t︠s︡erkovʹ --- Holy Orthodox Catholic Apostolic Church --- Holy Orthodox Eastern Catholic and Apostolic Church --- Greek Church --- Orthodoxos Katholikē Ekklēsia --- Orthodoxos Katholikē kai Anatolikē Ekklēsia --- Kanīsah al-Sharqīyah --- Tung cheng chiao --- Kanīsat al-Masīḥ al-Sharqīyah al-Urthudhuksīyah --- Biserica Ortodoxă --- .كنيسة الشرقية الارثوذكسية --- 246.3 Beelden in kerken. Beeldenverering. Iconoclasme --- Christian art and symbolism --- Icons --- Eikons --- Ikons --- Christian saints in art --- Orthodox Eastern Church and art --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Religious art --- Symbolism --- Church decoration and ornament --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Communication --- Religious aspects&delete& --- Christianity --- Psychology --- Doctrines --- Symbolism in art --- Aesthetics - Religious aspects - Christianity --- Christianity and art - Orthodox Eastern Church --- Radio broadcasting Aesthetics
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